Pre-Raphaelite art was closely associated with the social, political, and economic changes of Victorian England.This society aimed to create high-quality art that expressed real ideas and that sympathized with the genuine aspects of historical artworks.
The resurfacing of the movement in this way culminated in the formation of a firm in 1961 called Morris & Co., which focused on producing decorative arts.
The women who formed an integral part of it included the wives, muses, and lovers of three of the most predominant figures in the movement, among others.